Bollywood’s blue eyed boy Ranveer Singh is gearing up to play the darkest role of his career. The actor who works hard to add some realism to his roles will be doing the same for Sanjay Leela Bhansali period film. Just as he prepared for the role of Peshwa Bajirao by studying about his mannerism and stances. He is working hard at getting the right nuances for depicting Alauddin Khilji in ‘Padmavati’. He seems to be following Aamir Khan’s path, just as the Perfectionist transforms himself for his films, the ‘Befikre’ lad is also doing so for ‘Padmavati’.
Ranveer Singh is delving deep in history books to uncover the evil men of past and will be inculcating them in his character of Khilji. He is reading books on Hitler and many other evil leaders of the past. It is known through historical facts that Khilji was a tyrant. He let his army rape, plunder and kill unhindered to establish his Sultanate in India. Therefore Ranveer is aiming at bringing live that evilness onscreen.
Sources said, “Ranveer is prepping his body language, mannerisms, diction and physique. He is holed up in his Goregaon apartment and has himself off from people. For many hours in the day, he transforms into Khilji working on his dialogues and diction.”
Sources added, “From intense workouts to reading, research and diction training, Ranveer is going the extra mile to become Alauddin Khilji. After .Befikre., he had to build up a different kind of body for Padmavati which is more powerful and big built. He works out for almost three hours every day. His benchmark to play this iconic, villainous historical character is very high; and therefore, this has become the toughest role that he has ever tackled!”
Sanjay Leela Bhansali’s ‘Padmavati’ will be going on floor from November 1. Ranveer will be shooting for his solo act first. Deepika Padukone and Shahid Kapoor who are depicting the role of Padmavati and Raja Raval Ratan Singh, Rani Padmavati’s husband will be join him in a couple of weeks. Aditi Rao Hydari is depicting the role of Ranveer’s wife in the film.
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